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by Alex Ross for The New Yorker December 14, 2022 Notable Performances and Recordings of 2022 Ten Notable Performances of... Read More
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New York, NY (January 12, 2022) — Creative Capital today named 50 new Creative Capital Awards for 2022. The grants will fund the... Read More
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In her two music theater works, which will be heard for the first time in Switzerland, she deals with questions... Read More
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Lucerne Theater presents two of Du Yun's music theater works, which will be heard for the first time in Switzerland. Read More
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A new short from Pulitzer Prize-winning composer Du Yun brings three chapters of her 2005 opera Zolle to the digital screen. A dead... Read More
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On July 9, 2021, a new short from Pulitzer Prize-winning composer Du Yun brings three chapters of her 2005 opera Zolle to the digital screen. Read More
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The spirit of "Sweet Land" lives on not only on their website where it can be streamed, but in the current real-world push to dispense with symbols of a romanticized past that don’t square with the bloody facts, whether they be town square statues or logos of professional sports teams. Read More
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The "Sweet Land" team have created not only an on-site experience but also an engrossing personal viewing event. During these perilous times, a streaming ticket to Sweet Land while reclining on your couch may prove the best seat in town. Read More
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“Sweet Land” would have been a punch in the gut under any circumstances. Chaotic, conflicted, implacably honest, it unfurled a narrative that dismantled its own ideological underpinnings and exposed its own lies. Read More
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Opera: The Arrivals wash up on the shore. They make contact with another civilization they call “the Hosts.” And from there, the story splinters, following diverging perspectives. Starting as a procession through the LA State Historic Park, Sweet Land becomes an opera that erases itself. Read More
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The opera ‘Sweet Land’ was a success. Then came the coronavirus. How Yuval Sharon’s company banded together for one last... Read More
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“Sweet Land” is opera as astonishment. To say that Sharon has changed the operatic landscape by changing the physical landscape of opera is glibly obvious. That is what he has done but in ways — musically, visually, theatrically, environmentally, historically — that are not glib and far from obvious. So, what is “Sweet Land”? It’s too early to say, which is one of its many remarkable and remarkably confusing glories. Read More
