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    New Yorker Review: An Open-Air Opera, Cut Short by Social Distancing

    on March 31, 2020
    “Sweet Land” would have been a punch in the gut under any circumstances. Chaotic, conflicted, implacably honest, it unfurled a narrative that dismantled its own ideological underpinnings and exposed its own lies. Read More

    ‘Sweet Land’ Review: A Journey Through History

    on March 10, 2020
    by Heidi Waleson for The Wall Street JournalMarch 10, 2020 With “Hopscotch” in 2015, The Industry, Los Angeles’s audacious indie... Read More

    New York Times Review: An Opera Erases and Rewrites the American Myth

    on March 9, 2020
    The work captures — with a poetry that’s stern yet colorful, oblique yet blunt — the uneasiness of our past and future as a nation defined by brutal oppression and pervasive cultural mixing, and by a history that’s been painfully selective about what it remembers. Read More

    Zeen Widget

    Du Yun awarded the Centennial Medal at the Graduate School of Arts and Science of the Harvard University

    on August 11, 2023

    “In Our Daughter’s Eyes” – is The New Yorker’s Notable Performances of 2022

    on December 31, 2022

    Du Yun receives the 2023 Vilcek Prize in Music

    on October 21, 2022

    Du Yun received the 2022 Creative Capital Award

    on February 1, 2022

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    • DU YUN • 杜韵 • 杜韻
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    Opera Sweet Land A Cockroach's Tarantella The Industry string quartet
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